About Jeremy Marozeau
I wear several faces, musician, scientist, installation artist — all focused on the same thing: making sound tangible.
Musician. I’m a double bassist and jazz musician working in improvisation, collective creation, and immersive performance. I trained at IRCAM, the Conservatoire Populaire de Genève, and AMR. I’ve collaborated with jazz and gypsy jazz artists including Nitcho Reinhardt, Christophe Lartilleux-Hart, and Gérard Vandenbroucque, and I’ve played venues and festivals such as l’Usine, AMR, Festival Archipel (Geneva), Duc des Lombards and Baiser Salé (Paris), Lizard Lounge and The Middle East (Boston), Bennett Lane (Melbourne), and the Copenhagen Jazz Festival.
Some of my current projects: Léman Gypsy, Plante Interdite, Jmtet.
Audio-tactile installations. I create works you can hear and feel, translating sound into vibration and space. Selected projects include Vibration Forest (2024, Maison de la Marionnette, Tournai; with Kira), the D.A.D. Exhibition (2024, National Museum of Copenhagen), Résonance Nocturne (2022, Musée d’Art et d’Histoire de Genève; with Raphaël Ortis, Charlotte Nordin, Ensemble Contrechamps), Forsamlingshus (2022, HvildSand, Denmark; weather-driven outdoor installation), Vibration Forest (2021, Distortion Festival; with DTU Master’s students, design Kira World), and Interior Design (2012, Melbourne Arts Centre; directed by Robin Fox).
Scientist. I’m a Senior Researcher at the University of Geneva, studying how vibrations can improve music perception for hearing-impaired listeners. I previously led the “Music and Cochlear Implant” group at the Technical University of Denmark, and worked at CNRS (Marseille), Northeastern University (Boston), and the Bionics Institute (Melbourne) on auditory perception and cochlear implant signal processing.
Here a link to my publication lists.